• Cybermedia Global Homepage
  • Play Chess
  • Wine Enthusiast
  • Food
  • Refresh the Page

Cybermedia Global Blog

~ Read some poetry, read some stories, listen to some music, and relax.

Cybermedia Global Blog

Monthly Archives: January 2021

Titbottom’s Spectacles

31 Sunday Jan 2021

Posted by Jim Brooks in Humorous Short Stories

≈ Leave a comment

A Humorous Short Story by George William Curtis

In my mind’s eye, Horatio.

Prue and I do not entertain much; our means forbid it. In truth, other people entertain for us. We enjoy that hospitality of which no account is made. We see the show, and hear the music, and smell the flowers of great festivities, tasting as it were the drippings from rich dishes. Our own dinner service is remarkably plain, our dinners, even on state occasions, are strictly in keeping, and almost our only guest is Titbottom. I buy a handful of roses as I come up from the office, perhaps, and Prue arranges them so prettily in a glass dish for the centre of the table that even when I have hurried out to see Aurelia step into her carriage to go out to dine, I have thought that the bouquet she carried was not more beautiful because it was more costly. I grant that it was more harmonious with her superb beauty and her rich attire. And I have no doubt that if Aurelia knew the old man, whom she must have seen so often watching her, and his wife, who ornaments her sex with as much sweetness, although with less splendor, than Aurelia herself, she would also acknowledge that the nosegay of roses was as fine and fit upon their table as her own sumptuous bouquet is for herself. I have that faith in the perception of that lovely lady. It is at least my habit–I hope I may say, my nature, to believe the best of people, rather than the worst. If I thought that all this sparkling setting of beauty–this fine fashion–these blazing jewels and lustrous silks and airy gauzes, embellished with gold-threaded embroidery and wrought in a thousand exquisite elaborations, so that I cannot see one of those lovely girls pass me by without thanking God for the vision–if I thought that this was all, and that underneath her lace flounces and diamond bracelets Aurelia was a sullen, selfish woman, then I should turn sadly homewards, for I should see that her jewels were flashing scorn upon the object they adorned, and that her laces were of a more exquisite loveliness than the woman whom they merely touched with a superficial grace. It would be like a gaily decorated mausoleum–bright to see, but silent and dark within.

“Great excellences, my dear Prue,” I sometimes allow myself to say, “lie concealed in the depths of character, like pearls at the bottom of the sea. Under the laughing, glancing surface, how little they are suspected! Perhaps love is nothing else than the sight of them by one person. Hence every man’s mistress is apt to be an enigma to everybody else. I have no doubt that when Aurelia is engaged, people will say that she is a most admirable girl, certainly; but they cannot understand why any man should be in love with her. As if it were at all necessary that they should! And her lover, like a boy who finds a pearl in the public street, and wonders as much that others did not see it as that he did, will tremble until he knows his passion is returned; feeling, of course, that the whole world must be in love with this paragon who cannot possibly smile upon anything so unworthy as he.”

“I hope, therefore, my dear Mrs. Prue,” I continue to say to my wife, who looks up from her work regarding me with pleased pride, as if I were such an irresistible humorist, “you will allow me to believe that the depth may be calm although the surface is dancing. If you tell me that Aurelia is but a giddy girl, I shall believe that you think so. But I shall know, all the while, what profound dignity, and sweetness, and peace lie at the foundation of her character.”

I say such things to Titbottom during the dull season at the office. And I have known him sometimes to reply with a kind of dry, sad humor, not as if he enjoyed the joke, but as if the joke must be made, that he saw no reason why I should be dull because the season was so.

“And what do I know of Aurelia or any other girl?” he says to me with that abstracted air. “I, whose Aurelias were of another century and another zone.”

Then he falls into a silence which it seems quite profane to interrupt. But as we sit upon our high stools at the desk opposite each other, I leaning upon my elbows and looking at him; he, with sidelong face, glancing out of the window, as if it commanded a boundless landscape, instead of a dim, dingy office court, I cannot refrain from saying:

“Well!”

He turns slowly, and I go chatting on–a little too loquacious, perhaps, about those young girls. But I know that Titbottom regards such an excess as venial, for his sadness is so sweet that you could believe it the reflection of a smile from long, long years ago.

One day, after I had been talking for a long time, and we had put up our books, and were preparing to leave, he stood for some time by the window, gazing with a drooping intentness, as if he really saw something more than the dark court, and said slowly:

“Perhaps you would have different impressions of things if you saw them through my spectacles.”

There was no change in his expression. He still looked from the window, and I said:

“Titbottom, I did not know that you used glasses. I have never seen you wearing spectacles.”

“No, I don’t often wear them. I am not very fond of looking through them. But sometimes an irresistible necessity compels me to put them on, and I cannot help seeing.” Titbottom sighed.

“Is it so grievous a fate, to see?” inquired I.

“Yes; through my spectacles,” he said, turning slowly and looking at me with wan solemnity.

It grew dark as we stood in the office talking, and taking our hats we went out together. The narrow street of business was deserted. The heavy iron shutters were gloomily closed over the windows. From one or two offices struggled the dim gleam of an early candle, by whose light some perplexed accountant sat belated, and hunting for his error. A careless clerk passed, whistling. But the great tide of life had ebbed. We heard its roar far away, and the sound stole into that silent street like the murmur of the ocean into an inland dell.

“You will come and dine with us, Titbottom?”

He assented by continuing to walk with me, and I think we were both glad when we reached the house, and Prue came to meet us, saying:

“Do you know I hoped you would bring Mr. Titbottom to dine?”

Titbottom smiled gently, and answered:

“He might have brought his spectacles with him, and I have been a happier man for it.”

Prue looked a little puzzled.

“My dear,” I said, “you must know that our friend, Mr. Titbottom, is the happy possessor of a pair of wonderful spectacles. I have never seen them, indeed; and, from what he says, I should be rather afraid of being seen by them. Most short-sighted persons are very glad to have the help of glasses; but Mr. Titbottom seems to find very little pleasure in his.”

“It is because they make him too far-sighted, perhaps,” interrupted Prue quietly, as she took the silver soup-ladle from the sideboard.

We sipped our wine after dinner, and Prue took her work. Can a man be too far-sighted? I did not ask the question aloud. The very tone in which Prue had spoken convinced me that he might.

“At least,” I said, “Mr. Titbottom will not refuse to tell us the history of his mysterious spectacles. I have known plenty of magic in eyes”–and I glanced at the tender blue eyes of Prue–“but I have not heard of any enchanted glasses.”

“Yet you must have seen the glass in which your wife looks every morning, and I take it that glass must be daily enchanted.” said Titbottom, with a bow of quaint respect to my wife.

I do not think I have seen such a blush upon Prue’s cheek since–well, since a great many years ago.

“I will gladly tell you the history of my spectacles,” began Titbottom. “It is very simple; and I am not at all sure that a great many other people have not a pair of the same kind. I have never, indeed, heard of them by the gross, like those of our young friend, Moses, the son of the Vicar of Wakefield. In fact, I think a gross would be quite enough to supply the world. It is a kind of article for which the demand does not increase with use. If we should all wear spectacles like mine, we should never smile any more. Oh–I am not quite sure–we should all be very happy.”

“A very important difference,” said Prue, counting her stitches.

“You know my grandfather Titbottom was a West Indian. A large proprietor, and an easy man, he basked in the tropical sun, leading his quiet, luxurious life. He lived much alone, and was what people call eccentric, by which I understand that he was very much himself, and, refusing the influence of other people, they had their little revenges, and called him names. It is a habit not exclusively tropical. I think I have seen the same thing even in this city. But he was greatly beloved–my bland and bountiful grandfather. He was so large-hearted and open-handed. He was so friendly, and thoughtful, and genial, that even his jokes had the air of graceful benedictions. He did not seem to grow old, and he was one of those who never appear to have been very young. He flourished in a perennial maturity, an immortal middle-age.

“My grandfather lived upon one of the small islands, St. Kit’s, perhaps, and his domain extended to the sea. His house, a rambling West Indian mansion, was surrounded with deep, spacious piazzas, covered with luxurious lounges, among which one capacious chair was his peculiar seat. They tell me he used sometimes to sit there for the whole day, his great, soft, brown eyes fastened upon the sea, watching the specks of sails that flashed upon the horizon, while the evanescent expressions chased each other over his placid face, as if it reflected the calm and changing sea before him. His morning costume was an ample dressing-gown of gorgeously flowered silk, and his morning was very apt to last all day.

“He rarely read, but he would pace the great piazza for hours, with his hands sunken in the pockets of his dressing-gown, and an air of sweet reverie, which any author might be very happy to produce.

“Society, of course, he saw little. There was some slight apprehension that if he were bidden to social entertainments he might forget his coat, or arrive without some other essential part of his dress; and there is a sly tradition in the Titbottom family that, having been invited to a ball in honor of the new governor of the island, my grandfather Titbottom sauntered into the hall towards midnight, wrapped in the gorgeous flowers of his dressing-gown, and with his hands buried in the pockets, as usual. There was great excitement, and immense deprecation of gubernatorial ire. But it happened that the governor and my grandfather were old friends, and there was no offense. But as they were conversing together, one of the distressed managers cast indignant glances at the brilliant costume of my grandfather, who summoned him, and asked courteously:

“’Did you invite me or my coat?’

“’You, in a proper coat,’ replied the manager.

“The governor smiled approvingly, and looked at my grandfather.

“’My friend,” said he to the manager, ’I beg your pardon, I forgot.’

“The next day my grandfather was seen promenading in full ball dress along the streets of the little town.

“’They ought to know,’ said he, ’that I have a proper coat, and that not contempt nor poverty, but forgetfulness, sent me to a ball in my dressing-gown.’

“He did not much frequent social festivals after this failure, but he always told the story with satisfaction and a quiet smile.

“To a stranger, life upon those little islands is uniform even to weariness. But the old native dons like my grandfather ripen in the prolonged sunshine, like the turtle upon the Bahama banks, nor know of existence more desirable. Life in the tropics I take to be a placid torpidity. During the long, warm mornings of nearly half a century, my grandfather Titbottom had sat in his dressing-gown and gazed at the sea. But one calm June day, as he slowly paced the piazza after breakfast, his dreamy glance was arrested by a little vessel, evidently nearing the shore. He called for his spyglass, and surveying the craft, saw that she came from the neighboring island. She glided smoothly, slowly, over the summer sea. The warm morning air was sweet with perfumes, and silent with heat. The sea sparkled languidly, and the brilliant blue hung cloudlessly over. Scores of little island vessels had my grandfather seen come over the horizon, and cast anchor in the port. Hundreds of summer mornings had the white sails flashed and faded, like vague faces through forgotten dreams. But this time he laid down the spyglass, and leaned against a column of the piazza, and watched the vessel with an intentness that he could not explain. She came nearer and nearer, a graceful spectre in the dazzling morning.

“’Decidedly I must step down and see about that vessel,’ said my grandfather Titbottom.

“He gathered his ample dressing-gown about him, and stepped from the piazza with no other protection from the sun than the little smoking cap upon his head. His face wore a calm, beaming smile, as if he approved of all the world. He was not an old man, but there was almost a patriarchal pathos in his expression as he sauntered along in the sunshine towards the shore. A group of idle gazers was collected to watch the arrival. The little vessel furled her sails and drifted slowly landward, and as she was of very light draft, she came close to the shelving shore. A long plank was put out from her side, and the debarkation commenced. My grandfather Titbottom stood looking on to see the passengers descend. There were but a few of them, and mostly traders from the neighboring island. But suddenly the face of a young girl appeared over the side of the vessel, and she stepped upon the plank to descend. My grandfather Titbottom instantly advanced, and moving briskly reached the top of the plank at the same moment, and with the old tassel of his cap flashing in the sun, and one hand in the pocket of his dressing gown, with the other he handed the young lady carefully down the plank. That young lady was afterwards my grandmother Titbottom.

“And so, over the gleaming sea which he had watched so long, and which seemed thus to reward his patient gaze, came his bride that sunny morning.

“’Of course we are happy,’ he used to say: ’For you are the gift of the sun I have loved so long and so well.’ And my grandfather Titbottom would lay his hand so tenderly upon the golden hair of his young bride, that you could fancy him a devout Parsee caressing sunbeams.

“There were endless festivities upon occasion of the marriage; and my grandfather did not go to one of them in his dressing-gown. The gentle sweetness of his wife melted every heart into love and sympathy. He was much older than she, without doubt. But age, as he used to say with a smile of immortal youth, is a matter of feeling, not of years. And if, sometimes, as she sat by his side upon the piazza, her fancy looked through her eyes upon that summer sea and saw a younger lover, perhaps some one of those graceful and glowing heroes who occupy the foreground of all young maidens’ visions by the sea, yet she could not find one more generous and gracious, nor fancy one more worthy and loving than my grandfather Titbottom. And if in the moonlit midnight, while he lay calmly sleeping, she leaned out of the window and sank into vague reveries of sweet possibility, and watched the gleaming path of the moonlight upon the water, until the dawn glided over it–it was only that mood of nameless regret and longing, which underlies all human happiness,–or it was the vision of that life of society, which she had never seen, but of which she had often read, and which looked very fair and alluring across the sea to a girlish imagination which knew that it should never know that reality.

“These West Indian years were the great days of the family,” said Titbottom, with an air of majestic and regal regret, pausing and musing in our little parlor, like a late Stuart in exile, remembering England. Prue raised her eyes from her work, and looked at him with a subdued admiration; for I have observed that, like the rest of her sex, she has a singular sympathy with the representative of a reduced family. Perhaps it is their finer perception which leads these tender-hearted women to recognize the divine right of social superiority so much more readily than we; and yet, much as Titbottom was enhanced in my wife’s admiration by the discovery that his dusky sadness of nature and expression was, as it were, the expiring gleam and late twilight of ancestral splendors, I doubt if Mr. Bourne would have preferred him for bookkeeper a moment sooner upon that account. In truth, I have observed, down town, that the fact of your ancestors doing nothing is not considered good proof that you can do anything. But Prue and her sex regard sentiment more than action, and I understand easily enough why she is never tired of hearing me read of Prince Charlie. If Titbottom had been only a little younger, a little handsomer, a little more gallantly dressed–in fact, a little more of the Prince Charlie, I am sure her eyes would not have fallen again upon her work so tranquilly, as he resumed his story.

“I can remember my grandfather Titbottom, although I was a very young child, and he was a very old man. My young mother and my young grandmother are very distinct figures in my memory, ministering to the old gentleman, wrapped in his dressing-gown, and seated upon the piazza. I remember his white hair and his calm smile, and how, not long before he died, he called me to him, and laying his hand upon my head, said to me:

“My child, the world is not this great sunny piazza, nor life the fairy stories which the women tell you here as you sit in their laps. I shall soon be gone, but I want to leave with you some memento of my love for you, and I know nothing more valuable than these spectacles, which your grandmother brought from her native island, when she arrived here one fine summer morning, long ago. I cannot quite tell whether, when you grow older, you will regard it as a gift of the greatest value or as something that you had been happier never to have possessed.’

“’But grandpapa, I am not short-sighted.’

“’My son, are you not human?’ said the old gentleman; and how shall I ever forget the thoughtful sadness with which, at the same time he handed me the spectacles.

“Instinctively I put them on, and looked at my grandfather. But I saw no grandfather, no piazza, no flowered dressing-gown: I saw only a luxuriant palm-tree, waving broadly over a tranquil landscape. Pleasant homes clustered around it. Gardens teeming with fruit and flowers; flocks quietly feeding; birds wheeling and chirping. I heard children’s voices, and the low lullaby of happy mothers. The sound of cheerful singing came wafted from distant fields upon the light breeze. Golden harvests glistened out of sight, and I caught their rustling whisper of prosperity. A warm, mellow atmosphere bathed the whole. I have seen copies of the landscapes of the Italian painter Claude which seemed to me faint reminiscences of that calm and happy vision. But all this peace and prosperity seemed to flow from the spreading palm as from a fountain.

“I do not know how long I looked, but I had, apparently, no power, as I had no will, to remove the spectacles. What a wonderful island must Nevis be, thought I, if people carry such pictures in their pockets, only by buying a pair of spectacles! What wonder that my dear grandmother Titbottom has lived such a placid life, and has blessed us all with her sunny temper, when she has lived surrounded by such images of peace.

“My grandfather died. But still, in the warm morning sunshine upon the piazza, I felt his placid presence, and as I crawled into his great chair, and drifted on in reverie through the still, tropical day, it was as if his soft, dreamy eye had passed into my soul. My grandmother cherished his memory with tender regret. A violent passion of grief for his loss was no more possible than for the pensive decay of the year. We have no portrait of him, but I see always, when I remember him, that peaceful and luxuriant palm. And I think that to have known one good old man–one man who, through the chances and rubs of a long life, has carried his heart in his hand, like a palm branch, waving all discords into peace, helps our faith in God, in ourselves, and in each other, more than many sermons. I hardly know whether to be grateful to my grandfather for the spectacles; and yet when I remember that it is to them I owe the pleasant image of him which I cherish, I seem to myself sadly ungrateful.

“Madam,” said Titbottom to Prue, solemnly, “my memory is a long and gloomy gallery, and only remotely, at its further end, do I see the glimmer of soft sunshine, and only there are the pleasant pictures hung. They seem to me very happy along whose gallery the sunlight streams to their very feet, striking all the pictured walls into unfading splendor.”

Prue had laid her work in her lap, and as Titbottom paused a moment, and I turned towards her, I found her mild eyes fastened upon my face, and glistening with happy tears.

“Misfortunes of many kinds came heavily upon the family after the head was gone. The great house was relinquished. My parents were both dead, and my grandmother had entire charge of me. But from the moment that I received the gift of the spectacles, I could not resist their fascination, and I withdrew into myself, and became a solitary boy. There were not many companions for me of my own age, and they gradually left me, or, at least, had not a hearty sympathy with me; for if they teased me I pulled out my spectacles and surveyed them so seriously that they acquired a kind of awe of me, and evidently regarded my grandfather’s gift as a concealed magical weapon which might be dangerously drawn upon them at any moment. Whenever, in our games, there were quarrels and high words, and I began to feel about my dress and to wear a grave look, they all took the alarm, and shouted, ’Look out for Titbottom’s spectacles,’ and scattered like a flock of scared sheep.

“Nor could I wonder at it. For, at first, before they took the alarm, I saw strange sights when I looked at them through the glasses. If two were quarrelling about a marble or a ball, I had only to go behind a tree where I was concealed and look at them leisurely. Then the scene changed, and no longer a green meadow with boys playing, but a spot which I did not recognize, and forms that made me shudder or smile. It was not a big boy bullying a little one, but a young wolf with glistening teeth and a lamb cowering before him; or, it was a dog faithful and famishing–or a star going slowly into eclipse–or a rainbow fading–or a flower blooming–or a sun rising–or a waning moon. The revelations of the spectacles determined my feeling for the boys, and for all whom I saw through them. No shyness, nor awkwardness, nor silence, could separate me from those who looked lovely as lilies to my illuminated eyes. If I felt myself warmly drawn to any one I struggled with the fierce desire of seeing him through the spectacles. I longed to enjoy the luxury of ignorant feeling, to love without knowing, to float like a leaf upon the eddies of life, drifted now to a sunny point, now to a solemn shade–now over glittering ripples, now over gleaming calms,–and not to determined ports, a trim vessel with an inexorable rudder.

“But, sometimes, mastered after long struggles, I seized my spectacles and sauntered into the little town. Putting them to my eyes I peered into the houses and at the people who passed me. Here sat a family at breakfast, and I stood at the window looking in. O motley meal! fantastic vision! The good mother saw her lord sitting opposite, a grave, respectable being, eating muffins. But I saw only a bank-bill, more or less crumpled and tattered, marked with a larger or lesser figure. If a sharp wind blew suddenly, I saw it tremble and flutter; it was thin, flat, impalpable. I removed my glasses, and looked with my eyes at the wife. I could have smiled to see the humid tenderness with which she regarded her strange vis-à-vis. Is life only a game of blind-man’s-buff? of droll cross-purposes?

“Or I put them on again, and looked at the wife. How many stout trees I saw,–how many tender flowers,–how many placid pools; yes, and how many little streams winding out of sight, shrinking before the large, hard, round eyes opposite, and slipping off into solitude and shade, with a low, inner song for their own solace. And in many houses I thought to see angels, nymphs, or at least, women, and could only find broomsticks, mops, or kettles, hurrying about, rattling, tinkling, in a state of shrill activity. I made calls upon elegant ladies, and after I had enjoyed the gloss of silk and the delicacy of lace, and the flash of jewels, I slipped on my spectacles, and saw a peacock’s feather, flounced and furbelowed and fluttering; or an iron rod, thin, sharp, and hard; nor could I possibly mistake the movement of the drapery for any flexibility of the thing draped,–or, mysteriously chilled, I saw a statue of perfect form, or flowing movement, it might be alabaster, or bronze, or marble,–but sadly often it was ice; and I knew that after it had shone a little, and frozen a few eyes with its despairing perfection, it could not be put away in the niches of palaces for ornament and proud family tradition, like the alabaster, or bronze, or marble statues, but would melt, and shrink, and fall coldly away in colorless and useless water, be absorbed in the earth and utterly forgotten.

“But the true sadness was rather in seeing those who, not having the spectacles, thought that the iron rod was flexible, and the ice statue warm. I saw many a gallant heart, which seemed to me brave and loyal as the crusaders sent by genuine and noble faith to Syria and the sepulchre, pursuing, through days and nights, and a long life of devotion, the hope of lighting at least a smile in the cold eyes, if not a fire in the icy heart. I watched the earnest, enthusiastic sacrifice. I saw the pure resolve, the generous faith, the fine scorn of doubt, the impatience of suspicion. I watched the grace, the ardor, the glory of devotion. Through those strange spectacles how often I saw the noblest heart renouncing all other hope, all other ambition, all other life, than the possible love of some one of those statues. Ah! me, it was terrible, but they had not the love to give. The Parian face was so polished and smooth, because there was no sorrow upon the heart,–and, drearily often, no heart to be touched. I could not wonder that the noble heart of devotion was broken, for it had dashed itself against a stone. I wept, until my spectacles were dimmed for that hopeless sorrow; but there was a pang beyond tears for those icy statues.

“Still a boy, I was thus too much a man in knowledge,–I did not comprehend the sights I was compelled to see. I used to tear my glasses away from my eyes, and, frightened at myself, run to escape my own consciousness. Reaching the small house where we then lived, I plunged into my grandmother’s room and, throwing myself upon the floor, buried my face in her lap; and sobbed myself to sleep with premature grief. But when I awakened, and felt her cool hand upon my hot forehead, and heard the low, sweet song, or the gentle story, or the tenderly told parable from the Bible, with which she tried to soothe me, I could not resist the mystic fascination that lured me, as I lay in her lap, to steal a glance at her through the spectacles.

“Pictures of the Madonna have not her rare and pensive beauty. Upon the tranquil little islands her life had been eventless, and all the fine possibilities of her nature were like flowers that never bloomed. Placid were all her years; yet I have read of no heroine, of no woman great in sudden crises, that it did not seem to me she might have been. The wife and widow of a man who loved his own home better than the homes of others, I have yet heard of no queen, no belle, no imperial beauty, whom in grace, and brilliancy, and persuasive courtesy, she might not have surpassed.

“Madam,” said Titbottom to my wife, whose heart hung upon his story; “your husband’s young friend, Aurelia, wears sometimes a camelia in her hair, and no diamond in the ball-room seems so costly as that perfect flower, which women envy, and for whose least and withered petal men sigh; yet, in the tropical solitudes of Brazil, how many a camelia bud drops from a bush that no eye has ever seen, which, had it flowered and been noticed, would have gilded all hearts with its memory.

“When I stole these furtive glances at my grandmother, half fearing that they were wrong, I saw only a calm lake, whose shores were low, and over which the sky hung unbroken, so that the least star was clearly reflected. It had an atmosphere of solemn twilight tranquillity, and so completely did its unruffled surface blend with the cloudless, star-studded sky, that, when I looked through my spectacles at my grandmother, the vision seemed to me all heaven and stars. Yet, as I gazed and gazed, I felt what stately cities might well have been built upon those shores, and have flashed prosperity over the calm, like coruscations of pearls.

“I dreamed of gorgeous fleets, silken sailed and blown by perfumed winds, drifting over those depthless waters and through those spacious skies. I gazed upon the twilight, the inscrutable silence, like a God-fearing discoverer upon a new, and vast, and dim sea, bursting upon him through forest glooms, and in the fervor of whose impassioned gaze, a millennial and poetic world arises, and man need no longer die to be happy.

“My companions naturally deserted me, for I had grown wearily grave and abstracted: and, unable to resist the allurement of my spectacles, I was constantly lost in a world, of which those companions were part, yet of which they knew nothing. I grew cold and hard, almost morose; people seemed to me blind and unreasonable. They did the wrong thing. They called green, yellow; and black, white. Young men said of a girl, ’What a lovely, simple creature!’ I looked, and there was only a glistening wisp of straw, dry and hollow. Or they said, ’What a cold, proud beauty!’ I looked, and lo! a Madonna, whose heart held the world. Or they said, ’What a wild, giddy girl!’ and I saw a glancing, dancing mountain stream, pure as the virgin snows whence it flowed, singing through sun and shade, over pearls and gold dust, slipping along unstained by weed, or rain, or heavy foot of cattle, touching the flowers with a dewy kiss,–a beam of grace, a happy song, a line of light, in the dim and troubled landscape.

“My grandmother sent me to school, but I looked at the master, and saw that he was a smooth, round ferule–or an improper noun–or a vulgar fraction, and refused to obey him. Or he was a piece of string, a rag, a willow-wand, and I had a contemptuous pity. But one was a well of cool, deep water, and looking suddenly in, one day, I saw the stars. He gave me all my schooling. With him I used to walk by the sea, and, as we strolled and the waves plunged in long legions before us, I looked at him through the spectacles, and as his eye dilated with the boundless view, and his chest heaved with an impossible desire, I saw Xerxes and his army tossing and glittering, rank upon rank, multitude upon multitude, out of sight, but ever regularly advancing and with the confused roar of ceaseless music, prostrating themselves in abject homage. Or, as with arms outstretched and hair streaming on the wind, he chanted full lines of the resounding Iliad, I saw Homer pacing the AEgean sands in the Greek sunsets of forgotten times.

“My grandmother died, and I was thrown into the world without resources, and with no capital but my spectacles. I tried to find employment, but men were shy of me. There was a vague suspicion that I was either a little crazed, or a good deal in league with the Prince of Darkness. My companions who would persist in calling a piece of painted muslin a fair and fragrant flower had no difficulty; success waited for them around every corner, and arrived in every ship. I tried to teach, for I loved children. But if anything excited my suspicion, and, putting on my spectacles, I saw that I was fondling a snake, or smelling at a bud with a worm in it, I sprang up in horror and ran away; or, if it seemed to me through the glasses that a cherub smiled upon me, or a rose was blooming in my buttonhole, then I felt myself imperfect and impure, not fit to be leading and training what was so essentially superior in quality to myself, and I kissed the children and left them weeping and wondering.

“In despair I went to a great merchant on the island, and asked him to employ me.

“’My young friend,’ said he, ’I understand that you have some singular secret, some charm, or spell, or gift, or something, I don’t know what, of which people are afraid. Now, you know, my dear,’ said the merchant, swelling up, and apparently prouder of his great stomach than of his large fortune, ’I am not of that kind. I am not easily frightened. You may spare yourself the pain of trying to impose upon me. People who propose to come to time before I arrive, are accustomed to arise very early in the morning,’ said he, thrusting his thumbs in the armholes of his waistcoat, and spreading the fingers, like two fans, upon his bosom. ’I think I have heard something of your secret. You have a pair of spectacles, I believe, that you value very much, because your grandmother brought them as a marriage portion to your grandfather. Now, if you think fit to sell me those spectacles, I will pay you the largest market price for glasses. What do you say?’

“I told him that I had not the slightest idea of selling my spectacles.

“’My young friend means to eat them, I suppose,’ said he with a contemptuous smile.

“I made no reply, but was turning to leave the office, when the merchant called after me–

“’My young friend, poor people should never suffer themselves to get into pets. Anger is an expensive luxury, in which only men of a certain income can indulge. A pair of spectacles and a hot temper are not the most promising capital for success in life, Master Titbottom.’

“I said nothing, but put my hand upon the door to go out, when the merchant said more respectfully,–

“’Well, you foolish boy, if you will not sell your spectacles, perhaps you will agree to sell the use of them to me. That is, you shall only put them on when I direct you, and for my purposes. Hallo! you little fool!’ cried he impatiently, as he saw that I intended to make no reply.

“But I had pulled out my spectacles, and put them on for my own purpose, and against his direction and desire. I looked at him, and saw a huge bald-headed wild boar, with gross chops and a leering eye–only the more ridiculous for the high-arched, gold-bowed spectacles, that straddled his nose. One of his fore hoofs was thrust into the safe, where his bills payable were hived, and the other into his pocket, among the loose change and bills there. His ears were pricked forward with a brisk, sensitive smartness. In a world where prize pork was the best excellence, he would have carried off all the premiums.

“I stepped into the next office in the street, and a mild-faced, genial man, also a large and opulent merchant, asked me my business in such a tone, that I instantly looked through my spectacles, and saw a land flowing with milk and honey. There I pitched my tent, and stayed till the good man died, and his business was discontinued.

“But while there,” said Titbottom, and his voice trembled away into a sigh, “I first saw Preciosa. Spite of the spectacles, I saw Preciosa. For days, for weeks, for months, I did not take my spectacles with me. I ran away from them, I threw them up on high shelves, I tried to make up my mind to throw them into the sea, or down the well. I could not, I would not, I dared not look at Preciosa through the spectacles. It was not possible for me deliberately to destroy them; but I awoke in the night, and could almost have cursed my dear old grandfather for his gift. I escaped from the office, and sat for whole days with Preciosa. I told her the strange things I had seen with my mystic glasses. The hours were not enough for the wild romances which I raved in her ear. She listened, astonished and appalled. Her blue eyes turned upon me with a sweet deprecation. She clung to me, and then withdrew, and fled fearfully from the room. But she could not stay away. She could not resist my voice, in whose tones burned all the love that filled my heart and brain. The very effort to resist the desire of seeing her as I saw everybody else, gave a frenzy and an unnatural tension to my feeling and my manner. I sat by her side, looking into her eyes, smoothing her hair, folding her to my heart, which was sunken and deep–why not forever?–in that dream of peace. I ran from her presence, and shouted, and leaped with joy, and sat the whole night through, thrilled into happiness by the thought of her love and loveliness, like a wind-harp, tightly strung, and answering the airiest sigh of the breeze with music. Then came calmer days–the conviction of deep love settled upon our lives–as after the hurrying, heaving days of spring, comes the bland and benignant summer.

“’It is no dream, then, after all, and we are happy,’ I said to her, one day; and there came no answer, for happiness is speechless.

“We are happy then,” I said to myself, “there is no excitement now. How glad I am that I can now look at her through my spectacles.”

“I feared lest some instinct should warn me to beware. I escaped from her arms, and ran home and seized the glasses and bounded back again to Preciosa. As I entered the room I was heated, my head was swimming with confused apprehension, my eyes must have glared. Preciosa was frightened, and rising from her seat, stood with an inquiring glance of surprise in her eyes. But I was bent with frenzy upon my purpose. I was merely aware that she was in the room. I saw nothing else. I heard nothing. I cared for nothing, but to see her through that magic glass, and feel at once, all the fulness of blissful perfection which that would reveal. Preciosa stood before the mirror, but alarmed at my wild and eager movements, unable to distinguish what I had in my hands, and seeing me raise them suddenly to my face, she shrieked with terror, and fell fainting upon the floor, at the very moment that I placed the glasses before my eyes, and beheld–myself, reflected in the mirror, before which she had been standing.

“Dear madam,” cried Titbottom, to my wife, springing up and falling back again in his chair, pale and trembling, while Prue ran to him and took his hand, and I poured out a glass of water–“I saw myself.”

There was silence for many minutes. Prue laid her hand gently upon the head of our guest, whose eyes were closed, and who breathed softly, like an infant in sleeping. Perhaps, in all the long years of anguish since that hour, no tender hand had touched his brow, nor wiped away the damps of a bitter sorrow. Perhaps the tender, maternal fingers of my wife soothed his weary head with the conviction that he felt the hand of his mother playing with the long hair of her boy in the soft West Indian morning. Perhaps it was only the natural relief of expressing a pent-up sorrow. When he spoke again, it was with the old, subdued tone, and the air of quaint solemnity.

“These things were matters of long, long ago, and I came to this country soon after. I brought with me, premature age, a past of melancholy memories, and the magic spectacles. I had become their slave. I had nothing more to fear. Having seen myself, I was compelled to see others, properly to understand my relations to them. The lights that cheer the future of other men had gone out for me. My eyes were those of an exile turned backwards upon the receding shore, and not forwards with hope upon the ocean. I mingled with men, but with little pleasure. There are but many varieties of a few types. I did not find those I came to clearer sighted than those I had left behind. I heard men called shrewd and wise, and report said they were highly intelligent and successful. But when I looked at them through my glasses, I found no halo of real manliness. My finest sense detected no aroma of purity and principle; but I saw only a fungus that had fattened and spread in a night. They all went to the theater to see actors upon the stage. I went to see actors in the boxes, so consummately cunning, that the others did not know they were acting, and they did not suspect it themselves.

“Perhaps you wonder it did not make me misanthropical. My dear friends, do not forget that I had seen myself. It made me compassionate, not cynical. Of course I could not value highly the ordinary standards of success and excellence. When I went to church and saw a thin, blue, artificial flower, or a great sleepy cushion expounding the beauty of holiness to pews full of eagles, half-eagles, and threepences, however adroitly concealed in broadcloth and boots: or saw an onion in an Easter bonnet weeping over the sins of Magdalen, I did not feel as they felt who saw in all this, not only propriety, but piety. Or when at public meetings an eel stood up on end, and wriggled and squirmed lithely in every direction, and declared that, for his part, he went in for rainbows and hot water–how could I help seeing that he was still black and loved a slimy pool?

“I could not grow misanthropical when I saw in the eyes of so many who were called old, the gushing fountains of eternal youth, and the light of an immortal dawn, or when I saw those who were esteemed unsuccessful and aimless, ruling a fair realm of peace and plenty, either in themselves, or more perfectly in another–a realm and princely possession for which they had well renounced a hopeless search and a belated triumph. I knew one man who had been for years a by-word for having sought the philosopher’s stone. But I looked at him through the spectacles and saw a satisfaction in concentrated energies, and a tenacity arising from devotion to a noble dream, which was not apparent in the youths who pitied him in the aimless effeminacy of clubs, nor in the clever gentlemen who cracked their thin jokes upon him over a gossiping dinner.

“And there was your neighbor over the way, who passes for a woman who has failed in her career, because she is an old maid. People wag solemn heads of pity, and say that she made so great a mistake in not marrying the brilliant and famous man who was for long years her suitor. It is clear that no orange flower will ever bloom for her. The young people make tender romances about her as they watch her, and think of her solitary hours of bitter regret, and wasting longing, never to be satisfied. When I first came to town I shared this sympathy, and pleased my imagination with fancying her hard struggle with the conviction that she had lost all that made life beautiful. I supposed that if I looked at her through my spectacles, I should see that it was only her radiant temper which so illuminated her dress, that we did not see it to be heavy sables. But when, one day, I did raise my glasses and glanced at her, I did not see the old maid whom we all pitied for a secret sorrow, but a woman whose nature was a tropic, in which the sun shone, and birds sang, and flowers bloomed forever. There were no regrets, no doubts and half wishes, but a calm sweetness, a transparent peace. I saw her blush when that old lover passed by, or paused to speak to her, but it was only the sign of delicate feminine consciousness. She knew his love, and honored it, although she could not understand it nor return it. I looked closely at her, and I saw that although all the world had exclaimed at her indifference to such homage, and had declared it was astonishing she should lose so fine a match, she would only say simply and quietly–

“’If Shakespeare loved me and I did not love him, how could I marry him?’

“Could I be misanthropical when I saw such fidelity, and dignity, and simplicity?

“You may believe that I was especially curious to look at that old lover of hers, through my glasses. He was no longer young, you know, when I came, and his fame and fortune were secure. Certainly I have heard of few men more beloved, and of none more worthy to be loved. He had the easy manner of a man of the world, the sensitive grace of a poet, and the charitable judgment of a wide traveller. He was accounted the most successful and most unspoiled of men. Handsome, brilliant, wise, tender, graceful, accomplished, rich, and famous, I looked at him, without the spectacles, in surprise, and admiration, and wondered how your neighbor over the way had been so entirely untouched by his homage. I watched their intercourse in society, I saw her gay smile, her cordial greeting; I marked his frank address, his lofty courtesy. Their manner told no tales. The eager world was balked, and I pulled out my spectacles.

“I had seen her, already, and now I saw him. He lived only in memory, and his memory was a spacious and stately palace. But he did not oftenest frequent the banqueting hall, where were endless hospitality and feasting–nor did he loiter much in reception rooms, where a throng of new visitors was forever swarming–nor did he feed his vanity by haunting the apartment in which were stored the trophies of his varied triumphs–nor dream much in the great gallery hung with pictures of his travels. But from all these lofty halls of memory he constantly escaped to a remote and solitary chamber, into which no one had ever penetrated. But my fatal eyes, behind the glasses, followed and entered with him, and saw that the chamber was a chapel. It was dim, and silent, and sweet with perpetual incense that burned upon an altar before a picture forever veiled. There, whenever I chanced to look, I saw him kneel and pray; and there, by day and by night, a funeral hymn was chanted.

“I do not believe you will be surprised that I have been content to remain deputy bookkeeper. My spectacles regulated my ambition, and I early learned that there were better gods than Plutus. The glasses have lost much of their fascination now, and I do not often use them. Sometimes the desire is irresistible. Whenever I am greatly interested, I am compelled to take them out and see what it is that I admire.

“And yet–and yet,” said Titbottom, after a pause, “I am not sure that I thank my grandfather.”

Prue had long since laid away her work, and had heard every word of the story. I saw that the dear woman had yet one question to ask, and had been earnestly hoping to hear something that would spare her the necessity of asking. But Titbottom had resumed his usual tone, after the momentary excitement, and made no further allusion to himself. We all sat silently; Titbottom’s eyes fastened musingly upon the carpet: Prue looking wistfully at him, and I regarding both.

It was past midnight, and our guest arose to go. He shook hands quietly, made his grave Spanish bow to Prue, and taking his hat, went towards the front door. Prue and I accompanied him. I saw in her eyes that she would ask her question. And as Titbottom opened the door, I heard the low words:

“And Preciosa?”

Titbottom paused. He had just opened the door and the moonlight streamed over him as he stood, turning back to us.

“I have seen her but once since. It was in church, and she was kneeling with her eyes closed, so that she did not see me. But I rubbed the glasses well, and looked at her, and saw a white lily, whose stem was broken, but which was fresh; and luminous, and fragrant, still.”

“That was a miracle,” interrupted Prue.

“Madam, it was a miracle,” replied Titbottom, “and for that one sight I am devoutly grateful for my grandfather’s gift. I saw, that although a flower may have lost its hold upon earthly moisture, it may still bloom as sweetly, fed by the dews of heaven.”

The door closed, and he was gone. But as Prue put her arm in mine and we went upstairs together, she whispered in my ear:

“How glad I am that you don’t wear spectacles.”

[From Putnam’s Monthly, December, 1854. Republished in the volume, Prue and I (1856), by George William Curtis (Harper & Brothers).]

Advertisement

The Valley of Unrest

30 Saturday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by Edgar Allan Poe

Once it smiled a silent dell
Where the people did not dwell;
They had gone unto the wars,
Trusting to the mild-eyed stars,
Nightly, from their azure towers,
To keep watch above the flowers,
In the midst of which all day
The red sun-light lazily lay.
Now each visitor shall confess
The sad valley’s restlessness.
Nothing there is motionless—
Nothing save the airs that brood
Over the magic solitude.
Ah, by no wind are stirred those trees
That palpitate like the chill seas
Around the misty Hebrides!
Ah, by no wind those clouds are driven
That rustle through the unquiet Heaven
Uneasily, from morn till even,
Over the violets there that lie
In myriad types of the human eye—
Over the lilies there that wave
And weep above a nameless grave!
They wave:—from out their fragrant tops
External dews come down in drops.
They weep:—from off their delicate stems
Perennial tears descend in gems.

Analysis of The Valley of Unrest

To Autumn

29 Friday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by John Keats

Season of mists and mellow fruitfulness,
   Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
   With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
   And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
   With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
      For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
   Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
   Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
   Drows’d with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
   Steady thy laden head across a brook;
   Or by a cyder-press, with patient look,
      Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
   Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
   Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
   Hedge-crickets sing; and now with treble soft
   The red-breast whistles from a garden-croft;
      And gathering swallows twitter in the skies.

“To Autumn” is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). (see more)

Ode to Psyche

28 Thursday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by John Keats

O Goddess! hear these tuneless numbers, wrung
         By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
         Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
         The winged Psyche with awaken’d eyes?
I wander’d in a forest thoughtlessly,
         And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
         In deepest grass, beneath the whisp’ring roof
         Of leaves and trembled blossoms, where there ran
                A brooklet, scarce espied:

Mid hush’d, cool-rooted flowers, fragrant-eyed,
         Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
         Their arms embraced, and their pinions too;
         Their lips touch’d not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
         At tender eye-dawn of aurorean love:
                The winged boy I knew;
But who wast thou, O happy, happy dove?
                His Psyche true!

O latest born and loveliest vision far
         Of all Olympus’ faded hierarchy!
Fairer than Phoebe’s sapphire-region’d star,
         Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
                Nor altar heap’d with flowers;
Nor virgin-choir to make delicious moan
                Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
         From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
         Of pale-mouth’d prophet dreaming.

O brightest! though too late for antique vows,
         Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
         Holy the air, the water, and the fire;
Yet even in these days so far retir’d
         From happy pieties, thy lucent fans,
         Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir’d.
So let me be thy choir, and make a moan
                Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
         From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
         Of pale-mouth’d prophet dreaming.

Yes, I will be thy priest, and build a fane
         In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
         Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster’d trees
         Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
         The moss-lain Dryads shall be lull’d to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
   With the wreath’d trellis of a working brain,
         With buds, and bells, and stars without a name,
With all the gardener Fancy e’er could feign,
         Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
         That shadowy thought can win,
A bright torch, and a casement ope at night,
         To let the warm Love in!

“Ode to Psyche” is a poem by John Keats written in spring 1819. (see more)

Ode to a Nightingale

27 Wednesday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by John Keats

My heart aches, and a drowsy numbness pains
         My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
         One minute past, and Lethe-wards had sunk:
‘Tis not through envy of thy happy lot,
         But being too happy in thine happiness,—
                That thou, light-winged Dryad of the trees
                        In some melodious plot
         Of beechen green, and shadows numberless,
                Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
         Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
         Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
         Full of the true, the blushful Hippocrene,
                With beaded bubbles winking at the brim,
                        And purple-stained mouth;
         That I might drink, and leave the world unseen,
                And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
         What thou among the leaves hast never known,
The weariness, the fever, and the fret
         Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
         Where youth grows pale, and spectre-thin, and dies;
                Where but to think is to be full of sorrow
                        And leaden-eyed despairs,
         Where Beauty cannot keep her lustrous eyes,
                Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
         Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
         Though the dull brain perplexes and retards:
Already with thee! tender is the night,
         And haply the Queen-Moon is on her throne,
                Cluster’d around by all her starry Fays;
                        But here there is no light,
         Save what from heaven is with the breezes blown
                Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
         Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
         Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
         White hawthorn, and the pastoral eglantine;
                Fast fading violets cover’d up in leaves;
                        And mid-May’s eldest child,
         The coming musk-rose, full of dewy wine,
                The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
         I have been half in love with easeful Death,
Call’d him soft names in many a mused rhyme,
         To take into the air my quiet breath;
                Now more than ever seems it rich to die,
         To cease upon the midnight with no pain,
                While thou art pouring forth thy soul abroad
                        In such an ecstasy!
         Still wouldst thou sing, and I have ears in vain—
                   To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
         No hungry generations tread thee down;
The voice I hear this passing night was heard
         In ancient days by emperor and clown:
Perhaps the self-same song that found a path
         Through the sad heart of Ruth, when, sick for home,
                She stood in tears amid the alien corn;
                        The same that oft-times hath
         Charm’d magic casements, opening on the foam
                Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
         To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
         As she is fam’d to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
         Past the near meadows, over the still stream,
                Up the hill-side; and now ’tis buried deep
                        In the next valley-glades:
         Was it a vision, or a waking dream?
                Fled is that music:—Do I wake or sleep?

“Ode to a Nightingale” is a poem by John Keats (see more)

Ode on Melancholy

26 Tuesday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by John Keats

No, no, go not to Lethe, neither twist
       Wolf’s-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss’d
       By nightshade, ruby grape of Proserpine;
               Make not your rosary of yew-berries,
       Nor let the beetle, nor the death-moth be
               Your mournful Psyche, nor the downy owl
A partner in your sorrow’s mysteries;
       For shade to shade will come too drowsily,
               And drown the wakeful anguish of the soul.

But when the melancholy fit shall fall
       Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
       And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
       Or on the rainbow of the salt sand-wave,
               Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
       Emprison her soft hand, and let her rave,
               And feed deep, deep upon her peerless eyes.

She dwells with Beauty—Beauty that must die;
       And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
       Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
       Veil’d Melancholy has her sovran shrine,
               Though seen of none save him whose strenuous tongue
       Can burst Joy’s grape against his palate fine;
His soul shalt taste the sadness of her might,
               And be among her cloudy trophies hung.

“Ode on Melancholy” is one of five odes composed by English poet John Keats in the spring of 1819, (see more)

Ode on Indolence

25 Monday Jan 2021

Posted by Jim Brooks in Poetry

≈ 1 Comment

A Poem by John Keats

‘They toil not, neither do they spin.’

One morn before me were three figures seen,
    With bowèd necks, and joinèd hands, side-faced;
And one behind the other stepp’d serene,
    In placid sandals, and in white robes graced;
        They pass’d, like figures on a marble urn,
    When shifted round to see the other side;
They came again; as when the urn once more
        Is shifted round, the first seen shades return;
    And they were strange to me, as may betide
With vases, to one deep in Phidian lore.

How is it, Shadows! that I knew ye not?
    How came ye muffled in so hush a mask?
Was it a silent deep-disguisèd plot
    To steal away, and leave without a task
        My idle days? Ripe was the drowsy hour;
    The blissful cloud of summer-indolence
Benumb’d my eyes; my pulse grew less and less;
        Pain had no sting, and pleasure’s wreath no flower:
    O, why did ye not melt, and leave my sense
Unhaunted quite of all but—nothingness?

A third time pass’d they by, and, passing, turn’d
    Each one the face a moment whiles to me;
Then faded, and to follow them I burn’d
    And ached for wings, because I knew the three;
        The first was a fair Maid, and Love her name;
    The second was Ambition, pale of cheek,
And ever watchful with fatiguèd eye;
        The last, whom I love more, the more of blame
    Is heap’d upon her, maiden most unmeek,—
I knew to be my demon Poesy.

They faded, and, forsooth! I wanted wings:
    O folly! What is Love? and where is it?
And for that poor Ambition! it springs
    From a man’s little heart’s short fever-fit;
        For Poesy!—no,—she has not a joy,—
    At least for me,—so sweet as drowsy noons,
And evenings steep’d in honey’d indolence;
        O, for an age so shelter’d from annoy,
    That I may never know how change the moons,
Or hear the voice of busy common-sense!

And once more came they by:—alas! wherefore?
    My sleep had been embroider’d with dim dreams;
My soul had been a lawn besprinkled o’er
    With flowers, and stirring shades, and baffled beams:
        The morn was clouded, but no shower fell,
    Tho’ in her lids hung the sweet tears of May;
The open casement press’d a new-leaved vine,
    Let in the budding warmth and throstle’s lay;
        O Shadows! ’twas a time to bid farewell!
Upon your skirts had fallen no tears of mine.

So, ye three Ghosts, adieu! Ye cannot raise
    My head cool-bedded in the flowery grass;
For I would not be dieted with praise,
    A pet-lamb in a sentimental farce!
        Fade softly from my eyes, and be once more
    In masque-like figures on the dreamy urn;
Farewell! I yet have visions for the night,
    And for the day faint visions there is store;
Vanish, ye Phantoms! from my idle spright,
    Into the clouds, and never more return!

The “Ode on Indolence” is one of five odes composed by English poet John Keats in the spring of 1819. (see more)

Ode on a Grecian Urn

24 Sunday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by John Keats

Thou still unravish’d bride of quietness,
       Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
       A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
       Of deities or mortals, or of both,
               In Tempe or the dales of Arcady?
       What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
               What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
       Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
       Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
       Thy song, nor ever can those trees be bare;
               Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
       She cannot fade, though thou hast not thy bliss,
               For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
         Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
         For ever piping songs for ever new;
More happy love! more happy, happy love!
         For ever warm and still to be enjoy’d,
                For ever panting, and for ever young;
All breathing human passion far above,
         That leaves a heart high-sorrowful and cloy’d,
                A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
         To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
         And all her silken flanks with garlands drest?
What little town by river or sea shore,
         Or mountain-built with peaceful citadel,
                Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
         Will silent be; and not a soul to tell
                Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
         Of marble men and maidens overwrought,
With forest branches and the trodden weed;
         Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
         When old age shall this generation waste,
                Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
         “Beauty is truth, truth beauty,—that is all
                Ye know on earth, and all ye need to know.”

“Ode on a Grecian Urn” is a poem written by the English Romantic poet John Keats (see more)

Godiva

23 Saturday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by Alfred, Lord Tennyson

I waited for the train at Coventry;
I hung with grooms and porters on the bridge,
To watch the three tall spires; and there I shaped
The city’s ancient legend into this:
Not only we, the latest seed of Time,
New men, that in the flying of a wheel
Cry down the past, not only we, that prate
Of rights and wrongs, have loved the people well,
And loathed to see them overtax’d; but she
Did more, and underwent, and overcame,
The woman of a thousand summers back,
Godiva, wife to that grim Earl, who ruled
In Coventry: for when he laid a tax
Upon his town, and all the mothers brought
Their children, clamoring, “If we pay, we starve!”
She sought her lord, and found him, where he strode
About the hall, among his dogs, alone,
His beard a foot before him and his hair
A yard behind. She told him of their tears,
And pray’d him, “If they pay this tax, they starve.”
Whereat he stared, replying, half-amazed,
“You would not let your little finger ache
For such as these?” — “But I would die,” said she.
He laugh’d, and swore by Peter and by Paul;
Then fillip’d at the diamond in her ear;
“Oh ay, ay, ay, you talk!” — “Alas!” she said,
“But prove me what I would not do.”
And from a heart as rough as Esau’s hand,
He answer’d, “Ride you naked thro’ the town,
And I repeal it;” and nodding, as in scorn,
He parted, with great strides among his dogs.
So left alone, the passions of her mind,
As winds from all the compass shift and blow,
Made war upon each other for an hour,
Till pity won. She sent a herald forth,
And bade him cry, with sound of trumpet, all
The hard condition; but that she would loose
The people: therefore, as they loved her well,
From then till noon no foot should pace the street,
No eye look down, she passing; but that all
Should keep within, door shut, and window barr’d.
Then fled she to her inmost bower, and there
Unclasp’d the wedded eagles of her belt,
The grim Earl’s gift; but ever at a breath
She linger’d, looking like a summer moon
Half-dipt in cloud: anon she shook her head,
And shower’d the rippled ringlets to her knee;
Unclad herself in haste; adown the stair
Stole on; and, like a creeping sunbeam, slid
From pillar unto pillar, until she reach’d
The Gateway, there she found her palfrey trapt
In purple blazon’d with armorial gold.
Then she rode forth, clothed on with chastity:
The deep air listen’d round her as she rode,
And all the low wind hardly breathed for fear.
The little wide-mouth’d heads upon the spout
Had cunning eyes to see: the barking cur
Made her cheek flame; her palfrey’s foot-fall shot
Light horrors thro’ her pulses; the blind walls
Were full of chinks and holes; and overhead
Fantastic gables, crowding, stared: but she
Not less thro’ all bore up, till, last, she saw
The white-flower’d elder-thicket from the field,
Gleam thro’ the Gothic archway in the wall.
Then she rode back, clothed on with chastity;
And one low churl, compact of thankless earth,
The fatal byword of all years to come,
Boring a little auger-hole in fear,
Peep’d — but his eyes, before they had their will,
Were shrivel’d into darkness in his head,
And dropt before him. So the Powers, who wait
On noble deeds, cancell’d a sense misused;
And she, that knew not, pass’d: and all at once,
With twelve great shocks of sound, the shameless noon
Was clash’d and hammer’d from a hundred towers,
One after one: but even then she gain’d
Her bower; whence reissuing, robed and crown’d,
To meet her lord, she took the tax away
And built herself an everlasting name.

“Godiva” is a poem written in 1840 (see more)

Analysis of “Godiva”

With Dickens

22 Friday Jan 2021

Posted by Jim Brooks in Poetry

≈ Leave a comment

A Poem by Henry Lawson

In Windsor Terrace, number four,
    I’ve taken my abode—
A little crescent from the street,
    A bight from City Road;
And, hard up and in exile, I
    To many fancies yield;
For it was here Micawber lived
    And David Copperfield.

A bed, a table, and a chair,
    A bottle and a cup.
The landlord’s waiting even now
    For something to turn up.
The landlady is spiritless—
    They both seem tired of life;
They cannot fight the battle like
    Micawber and his wife.

But in the little open space
    That lies back from the street,
The same old ancient, shabby clerk
    Is sitting on a seat.
The same sad characters go by,
    The ragged children play—
And things have very little changed
    Since Dickens passed away.

Some seek religion in their grief,
    And some for friendship yearn;
Some fly to liquor for relief,
    But I to Dickens turn.
I find him ever fresh and new,
    His lesson ever plain;
And every line that Dickens wrote
    I’ve read and read again.

The tavern’s just across the ‘wye,’
    And frowsy women there
Are gossiping and drinking gin,
    And twisting up their hair.
And grubby girls go past at times,
    And furtive gentry lurk—
I don’t think anyone has died
    Since Dickens did his work.

There’s Jingle, Tigg, and Chevy Slyme,
    And Weevle—whom you will;
And hard-up virtue proudly slinks
    Into the pawnshop still.
Go east a bit from City Road,
    And all the rest are there—
A friendly whistle might produce
    A Chicken anywhere.

My favourite author’s heroes I
    Should love, but somehow can’t.
I don’t like David Copperfield
    As much as David’s Aunt,
And it may be because my mind
    Has been in many fogs—
I don’t like Nicholas Nickleby
    So well as Newman Noggs.

I don’t like Richard Carstone, Pip,
    Or Martin Chuzzlewit,
And for the rich and fatherly
    I scarcely care a bit.
The honest, sober clods are bores
    Who cannot suffer much,
And with the Esther Summersons
    I never was in touch.

The ‘Charleys’ and the haggard wives,
    Kind hearts in poverty—
And yes! the Lizzie Hexams, too—
    Are very near to me;
But men like Brothers Cheeryble,
    And Madeline Bray divine,
And Nell, and Little Dorrit live
    In a better world than mine.

The Nicklebys and Copperfields,
    They do not stand the test;
And in my heart I don’t believe
    That Dickens loved them best.
I can’t admire their ways and talk,
    I do not like their looks—
Those selfish, injured sticks that stalk
    Through all the Master’s books.

They’re mostly selfish in their love,
    And selfish in their hate,
They marry Dora Spenlows, too,
    While Agnes Wickfields wait;
And back they come to poor Tom Pinch
    When hard-up for a friend;
They come to wrecks like Newman Nogga
    To help them in the end.

And—well, maybe I am unjust,
    And maybe I forget;
Some of us marry dolls and jilt
    Our Agnes Wickfields yet.
We seek our friends when fortune frowns—
    It has been ever thus—
And we neglect Joe Gargery
    When fortune smiles on us.

They get some rich old grandfather
    Or aunt to see them through,
And you can trace self-interest
    In nearly all they do.
And scoundrels like Ralph Nickleby,
    In spite of all their crimes,
And crawlers like Uriah Heep
    Told bitter truths at times.

But—yes, I love the vagabonds
    And failures from the ranks,
And hard old files with hidden hearts
    Like Wemmick and like Pancks.
And Jaggers had his ‘poor dreams, too,’
    And fond hopes like the rest—
But, somehow, somehow, all my life
    I’ve loved Dick Swiveller best!

But, let us peep at Snagsby first
    As softly he lays down
Beside the bed of dying Joe
    Another half-a-crown.
And Nemo’s wretched pauper grave—
    But we can let them be,
For Joe has said to Heaven: ‘They
    Wos werry good to me.’

And Wemmick with his aged P——
    No doubt has his reward;
And Jaggers, hardest nut of all,
    Will be judged by the Lord.
And Pancks, the rent-collecting screw,
    With laurels on his brow,
Is loved by all the bleeding hearts
    In Bleeding Heart Yard now.

Tom Pinch is very happy now,
    And Magwitch is at rest,
And Newman Noggs again might hold
    His head up with the best;
Micawber, too, when all is said,
    Drank bravely Sorrow’s cup—
Micawber worked to right them all,
    And something did turn up.

How do ‘John Edward Nandy, Sir!’
    And Plornish get along?
Why! if the old man is in voice
    We’ll hear him pipe a song.
We’ll have a look at Baptiste, too,
    While still the night is young—
With Mrs. Plornish to explain
    In the Italian tongue.

Before we go we’ll ask about
    Poor young John Chivery:
‘There never was a gentleman
    In all his family.’
His hopeless love, his broken heart,
    But to his rival true;
He came of Nature’s gentlemen,
    But young John never knew.

We’ll pass the little midshipman
    With heart that swells and fills,
Where Captain Ed’ard Cuttle waits
    For Wal’r and Sol Gills.
Jack Bunsby stands by what he says
    (Which isn’t very clear),
And Toots with his own hopeless love—
    As true as any here.

And who that read has never felt
    The sorrow that it cost
When Captain Cuttle read the news
    The ‘Son and Heir’ was lost?
And who that read has not rejoiced
    With him and ‘Heart’s Delight,’
And felt as Captain Cuttle felt
    When Wal’r came that night?

And yonder, with a broken heart,
    That people thought was stone,
Deserted in his ruined home,
    Poor Dombey sits alone.
Who has not gulped a something down,
    Whose eye has not grown dim
While feeling glad for Dombey’s sake
    When Florence came to him?

(A stately house in Lincolnshire—
    The scene is bleak and cold—
The footsteps on the terrace sound
    To-night at Chesney Wold.
One who loved honour, wife, and truth,
    If nothing else besides,
Along the dreary Avenue
    Sir Leicester Dedlock rides.)

We’ll go round by Poll Sweedlepipe’s,
    The bird and barber shop;
If Sairey Gamp is so dispoged
    We’ll send her up a drop.
We’ll cross High Holborn to the Bull,
    And, if he cares to come,
By streets that are not closed to him
    We’ll see Dick Swiveller home.
He’s looking rather glum to-night,
    The why I will not ask—
No matter how we act the goat,
    We mostly wear a mask.
Some wear a mask to hide the false
    (And some the good and true)—
I wouldn’t be surprised to know
    Mark Tapley wore one too.

We wear a mask called cheerfulness
    While feeling sad inside;
And men like Dombey, who was shy,
    Oft wear a mask called pride.
A front of pure benevolence
    The grinding ‘Patriarch’ bore;
And kind men often wear a mask
    Like that which Jaggers wore.

But, never mind, Dick Swiveller!
    We’ll see it out together
Beneath the wing of friendship, Dick,
    That never moults a feather.
We’ll look upon the rosy yet
    Full many a night, old friend,
And tread the mazy ere we woo
    The balmy in the end.
Our palace walls are rather bare,
    The floor is somewhat damp,
But, while there’s liquor, anywhere
    Is good enough to camp.
What ho! mine host! bring forth thine ale
    And let the board be spread!—
It is the hour when churchyards yawn
    And wine goes to the head.

’Twas you who saved poor Kit, old chap,
    When he was in a mess—
But, what ho! Varlet! bring us wine!
    Here’s to the Marchioness!
‘We’ll make a scholar of her yet,’
    She’ll be a lady fair,
‘And she shall go in silk attire
    And siller have to spare.’

From sport to sport they hurry her
    To banish her regrets,
And when we win a smile from her
    We cannot pay our debts!
Left orphans at a tender age,
    We’re happiest in the land—
We’re Glorious Apollos, Dick,
    And you’re Perpetual Grand!

You’re king of all philosophers,
    And let the Godly rust;
Here’s to the obscure citizen
    Who sent the beer on trust?
It sure would be a cheerful world
    If never man got tight;
You spent your money on your friends,
    Dick Swiveller! Good night!

‘A dissolute and careless man—
    An idle, drunken path;’
But see where Sidney Carton spills
    His last drink on the hearth!
A ruined life! He lived for drink
    And but one thing beside—
And Oh! it was a glorious death
    That Sidney Carton died.

And ‘Which I meantersay is Pip’—
    The voices hurry past—
‘Not to deceive you, sir’—‘Stand by!’
    ‘Awast, my lass, awast!’
‘Beware of widders, Samivel,’
    And shun strong drink, my friend;
And, ‘not to put too fine a point
    Upon it,’ I must end.

← Older posts

Subscribe

  • Entries (RSS)
  • Comments (RSS)

Archives

  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • July 2019
  • November 2017
  • June 2016
  • April 2016
  • January 2016
  • December 2015
  • June 2015

Categories

  • Cinema
  • Fiction
  • Horror Short Stories
  • Humorous Short Stories
  • Jim Brooks' Art
  • Jim's Notes
  • Music
  • Poetry
  • Quotes
  • Search Hints

Meta

  • Register
  • Log in

Blog at WordPress.com.

  • Follow Following
    • Cybermedia Global Blog
    • Join 102 other followers
    • Already have a WordPress.com account? Log in now.
    • Cybermedia Global Blog
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar